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howlin' wolf spoonful wiki

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The lineup of the Howlin' Wolf band changed often over the years. Spoonful est un standard du blues écrit par Willie Dixon et initialement enregistré en 1960 par Howlin' Wolf [1].La chanson est librement inspirée de A Spoonful Blues, chanson enregistrée en 1929 par Charley Patton (Paramount 12869) [2], elle-même apparentée à All I Want Is A Spoonful enregistrée en 1925 par Papa Charlie Jackson, et à Cocaine Blues de Luke Jordan (1927). [1] V roce 1966 skladbu nahrála britská skupina Cream … Karriär Howlin' Wolf gjorde sina första inspelningar 1951, då han hade skivkontrakt med både The Bihari Brothers Modern Records och Chess Records.Chess gav ut Howlin' Wolfs How Many More Years i augusti 1951, samtidigt som Wolf spelade in för Modern Records med Ike Turner i … I Am the Blues is the sixth studio Chicago blues album released in 1970 by the well-known bluesman Willie Dixon. The song has been recorded by a number of artists, including Jeff Beck, whose version has been acknowledged by Rolling Stone magazine. "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Many cover versions followed, and the song has been described by French music historian Gérard Herzhaft as "one of the most played, arranged, and rearranged pieces in blues history". The Howlin' Wolf Foundation, a nonprofit corporation organized under US tax code section 501(c)(3), was established by Bettye Kelly to preserve and extend Howlin' Wolf's legacy. McKinley Morganfield, known professionally as Muddy Waters, was an American blues singer-songwriter and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago blues". [7] Wolf offered his assessment in an interview with Rolling Stone magazine: "Man ... that stuff's dogshit". Howlin' Wolf recorded the song for Chess Records in 1954. He had several heart attacks and suffered bruised kidneys in a car accident in 1970. Dixon reported "Every once in a while Wolf would mention the fact that, 'Hey man, you wrote that song for Muddy. Originally from Mississippi, he moved to Chicago in adulthood and became successful, forming a rivalry with fellow bluesman Muddy Waters. Spoonful This song is by Willie Dixon and appears on the album I Am the Blues (1970) and on the album Live (Backstage Access) (1985). On April 9, 1941, he was inducted into the U.S. Army and was stationed at several bases around the country. Chester Arthur Burnett (White Station, Misisipi; 10 de junio de 1910 - Hines, Illinois; 10 de enero de 1976), conocido como Howlin' Wolf (Lobo Aullador), fue un músico afroamericano, cantante de blues, guitarrista y armonicista. It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1961. The London Howlin' Wolf Sessions, like Muddy Waters's London album, proved more successful with British audiences than American. Inducted into Rock And Roll Hall of Fame in 1991 (Early Influence). Two of the earliest songs he mastered were Jefferson's "Match Box Blues" and Leroy Carr's "How Long, How Long Blues". He returned to his family, which had recently moved near West Memphis, Arkansas, and helped with the farming while also performing, as he had done in the 1930s, with Floyd Jones and others. Chester Arthur Burnett (June 10, 1910 – January 10, 1976), known as Howlin' Wolf, was an influential American blues singer, guitarist and harmonica player. After Leonard Chess secured his contract, The Wolf relocated to Chicago in 1952. "Couldn't Do No Yodeling, So I Turned to Howlin'. The Howlin' Wolf Album, like rival bluesman Muddy Waters's album Electric Mud, was designed to appeal to the hippie audience. With a booming voice and looming physical presence, he is one of the best-known Chicago blues artists. Blues standard first recorded by Howlin' Wolf. [16] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James". Howlin' Wolf's second compilation album, Howlin' Wolf (often called "the rocking chair album", from its cover illustration), was released in 1962. It is a collection of twelve singles previously released by the Chess label from 1960 through 1962. [9] Dock, who had worked seasonally as a farm laborer in the Mississippi Delta, moved there permanently while Jones and Burnett moved to Monroe County. Howlin' Wolf strongly disliked the album, which is noted on the album's cover. Howlin' Wolf), bio je uticajni američki bluz pevač, gitarista i harmonikaš. 1964 -ben Európában turnézott 1967 szeptemberében Bo Diddleyvel és Muddy Waters –szel dolgozott együtt a The Super Super Blues Band albumon. [a][9] He then moved in with his great-uncle Will Young, who had a large household and treated him badly. Having already achieved a measure of success in Memphis, he described himself as "the onliest one to drive himself up from the Delta" to Chicago, which he did, in his own car on the Blues Highway and with $4,000 in his pocket, a rare distinction for a black bluesman of the time. The foundation's mission and goals include the preservation of the blues music genre, scholarships to enable students to participate in music programs, and support for blues musicians and blues programs. Burnett's health began declining in the late 1960s. He didn't like his electric guitar at first either." [9] Jones and Burnett would sing together in the choir of the Life Board Baptist Church near Gibson, Mississippi, and Burnett would later claim that he got his musical talent from her. The foundation mission and goals include the preservation of the blues music genre, scholarships for students to participate in music programs, and support for blues musicians and blues programs. Its jack-of-all-trades nature means it doesn't particularly excel in any area, but its sturdiness combined with its strong Wind attacks that inflict BlowBack means not much strategy is necessary to get the most out of it. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter. Atco Records released the song in the US later in 1967 as a two-sided single (with some pressings misspelled as "Spoonfull"), but it failed to reach the Billboard Hot 100 record chart. Airplane Man“ (1959) „Spoonful“ / „Howlin' for My Darling“ (1960) „Wang Dang Doodle“ / … With a booming voice and imposing physical presence, he is one of the best-known Chicago blues artists. He played with Patton often in small Delta communities. [15] In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category. [17] His harmonica playing was modeled after that of Sonny Boy Williamson II, who taught him how to play when Burnett moved to Parkin, Arkansas, in 1933.[18][6]. "Wang Dang Doodle" became a blues standard and has been recorded by various artists. [27] With the exception of a couple of brief absences in the late 1950s, Sumlin remained a member of the band for the rest of Howlin' Wolf's career and is the guitarist most often associated with the Chicago Howlin' Wolf sound. He died of complications from the procedure on January 10, 1976, at the age of 65. Called "a stark and haunting work", [1] it is one of Dixon's best known and most interpreted songs. It is rooted in the Delta blues tradition and the theme is derived from folklore. Howlin’ Wolf (geb.10. Musician and criticCub Kodanoted, "no one could match Howlin' Wolf for the singular ability to rock the house down to the foundation … [11] . [2] Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. McGhee, Otis "Big Smokey" Smothers, his brother Little Smokey Smothers, Jimmy Rogers, Freddie Robinson, and Buddy Guy, among others. The English rock band Led Zeppelin II a number of artists, including that of black... Patton often in small Delta communities Burnett was noted for his disciplined approach to his finances! Were part of a trend in the audience in an area now as! 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